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An introductory essay by exhibition curator, Paul Schimmel titled Reading Rauschenberg offers an iconographic analysis of the earlier Combines (1955 - 59) based on in-depth conversations with the artist. Thomas Crows essay addresses the Combines as the major artistic statement of their time, the one body of art that could simultaneously hold its own with the leading art of older peers like de Kooning and prevail against the coming wave of pop painting centered on the reproductive image. Branden Josephs text deals with some of the lesser known Combines and reconsiders their original critical reception through the contemporary critical filter of the simulacrum. Charles F. Stuckey traces the lineage of the Combines through early twentieth-century movements, including Surrealism and Dada. And Jean-Paul Ameline looks at the impact of the Combines on European art. The book will also feature an afterword by Pontus Hulten.
Název knihy: Robert Rauschenberg Combines
Autor knihy: Robert Rauschenberg
Rok vydání: 2006
Počet stran: 324
Rozměry: 31.8 x 25.8 x 4 cm
Formát: tvrdý obal